I have been thinking a lot lately about “diachronic AI” and “vintage LLMs” — language models designed to index a particular slice of historical sources rather than to hoover up all data available. I’ll have more to say about this in a future post, but one thing that came to mind while writing this one is the point made by AI safety researcher Owain Evans about how such models could be trained:
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“小而美”，促进农与旅深度融合。耕地、农房、古井、磨坊……“小体量”的乡村元素，蕴藏大价值。广东肇庆市高要区铁岗社区盘活闲置农房，打造“屋顶咖啡”，岭南古村重焕生机。安徽祁门县芦荔村在稻田里精耕细作，稻田咖啡、乡村会客厅等新业态实现一二三产融合。“微改造”带来大流量启示我们，统筹好存量和增量，唤醒“沉睡”资源，一定能走出一条精细化、可持续的发展路子。
It's relatively unchartered territory for the series, allowing production designer Alison Gartshore, costume designer John Glaser, and hair and makeup designer Nic Collins to consider what Bridgerton looks like if Wednesday Addams landed in the Ton. But it also allows for quietly moving performances from two characters we'll see much more of in the future.
Раскрыты подробности о договорных матчах в российском футболе18:01